Kadri Rebane
Understanding Photography
Proposal for Final Project
November 9, 2006
For the final series of ten black and white prints I will attempt to capture people at work; professionals in their respective environments concentrating on tasks. A few individuals thus far considered: concrete workers laying/finishing flatwork, a physicist setting up laser beams for an experiment, a doctor performing surgery, a butcher, a baker, a stripper, a wrangler, a goldsmith, and a flippin.. lumberjack!
I am interested in the fields that still require distinctive skills, personalities, and environments, fields that may become obsolete within decades. Back in the days when women fainted freely and men fancied themselves handsome with bushy moustaches one went to the local shoe maker to get them there boots. Now we drive to Target where we are greeted by a dull eyed, greasy haired, uneducated, and uninspiring [fe]male who at once becomes our guide, our fitting room assistant, and our personal psychologist, psychiatrist, and psychic. The shoe we so desired is made of plastic and we shall feel as empty post-purchase as we did pre-purchase. Have I veered off topic? I apologize.
Candid movement and expression is what I strive for, yet if I fail to catch that moment the next challenge would be to ease my subject as far away from the typical smile-big-coz-then-the-wrinkles-around-my-lips-will-disappear poser shot. The work-specific environment is the throne of the professional. My addiction to large apertures has to be suppressed as the need to capture the detail of the place and time rises to equivalency with the human subject. The anvil in the background is as important to the narrative as the torched nose hairs of the metal smith in question.